Monday, November 30, 2009
Free Topic Four: Writing A Research Paper about Landscape -Matt Latham
Free Topic Three: Landscape through Music -Matt Latham
Free Topic Two: Crab Tree Falls -Matt Latham
Free Topic Two: Crab Tree Falls -Matt Latham
Free Topic One: We are not where we are from –Matt Latham
The turning point with the whole situation came in my junior year in High school, I read Joseph Conrad’s book Heart of Darkness. The book changed my entire outlook on how I view people’s race. If you haven’t read the book I highly suggest it, and it’s only like 80 pages! Just thought I’d take a moment to say that I am from Mechanicsville, but I am not Mechanicsville!
Fallen Tree at Noland Trail –Part Two- Matt Latham
Fallen Tree at Noland Trail –Part One –Matt Latham
Liminality in Pilgrimage –Matt Latham
Flow, and Guitar –Matt Latham
Hajj to Mecca and Communitas -Matt Latham
http://news.bbc.co.uk/2/hi/8372378.stm
Chora and Topos –Matt Latham
Lanes Three Approaches in COLD FEVER –Matt Latham
The first is the ontological. The ontological perspective is used to set apart a sacred place from everything around it. The sacred place is “recognized as manifesting its own inherent, chthonic power and numinosity. It is a place of hierophany, where supernatural forces have invaded the ordinary.” Hirata uses this perspective while at the river. The river to Hirata is sacred for what happened there, his parents died there. It is sacred because of it’s origins. Hirata honors this by performing the Shinto rituals for his dead parents.
The second type of perspective is cultural. This is where we view sacred place as having some attached cultural meaning where the sacred and the profane leak into one another. Hirata views this perspective while observing the nativity scene that his cab driver partakes in early in the movie. The nativity scene took place at what appeared to be a highway rest stop. The nativity scene was one like any other, but there were Icelandic traditions involved. The nativity scene turned the rest stop into sacred place. But to truly appreciate the sanctity of the place you must observe the scene through a cultural perspective.
The last approach is the phenomenological perspective. This perspective utilizes the landscape as integral to the understanding of the sanctity of a place. Lane says that, “given this [the phenomenological approach] one may even have to speak of the place as perceiving itself through us” (43). This approach personifies the landscape in being necessary to understanding and perceiving the sacred. Hirata comes in contact with a fairy in the movie. The fairies are said to live in these rocks all over Iceland. These rocks are so special to the Icelanders that they build roads around them as not to disturb the fairies. The fairies actually appear to Hirata in the movie when his car breaks down. The fairies are a crucial part of the landscape and add to the sanctity of the place.
October 20, 2009
Kelly Hayes, Free Topic 3: The Northern Lights

Auroras are some of the most spectacular natural sights in the world. Those lucky enough to see them discover an appreciation for the way elements can come together in the world. These natural light displays are among the most beautiful things one can witness and may one of the most inspirational for some people. The way the lights dance across the sky is magical and puts science at the back of your mind, despite the massive role science plays in this display. The Northern Lights form at the poles of planets where the magnetic fields are at their strongest. Being a Biology major yet still a spiritual person, it is easy for me to admire the lights for what they are; a perfect combination of science and imagination. For those who seek enlightenment or a connection with spirituality in the wilderness, I believe the Northern Lights are one of the most spectacular sights they could come across. Watching this must feel like an honor and really make someone contemplate the quality of their life. Auroras, named after the Roman goddess of dawn, holds a special place in the hearts of people who have observed its show and appreciate the glorious sights of planet earth.
Kelly Hayes, Free Topic 2: Wilderness Sounds

In this class, we focus strongly on the visual portion of this wilderness. How can you not? The mountains are breathtaking, the scenery is unimaginable, the wildlife is captivating, and the flora is beautiful. But not much attention is paid to the sounds that come out of such an experience. Once you think about it, the noises that you may hear, and possibly not be able to see, are as much a part of the wilderness ad the visuals are. It gives you insight into things you cannot see but may still be able to understand. It can tell you things if you listen closely enough. The river bubbling in the background may give a lost hiker an idea to a location. The birds chipping could indicate what time of day it is. The ice cracking beneath you on a frozen lake indicates danger. Tapping into your other senses may be one of the most enlightening things you can do while in the wilderness. Taking a second to close your eyes and hear, smell, or imagine what could be in the world around you indicates someone who is taking in the full experience and should not be missed. It is magicial and may even become the soundtrack to which you fall asleep at night. The soothing, natural music of the woods is something that is so extraordinary and cannot be expressed by merely seeing the sights.
Kelly Hayes, Free Topic 1: Appalachian Trail
My research paper for this class focuses on the Appalachian Trail and how it transforms the lives of women in a positive way. Upon doing research of this paper, I became very interested on the specifics of the AT and how it has effected all sorts of people; men, women, young, or old. The AT extends generously throughout most of the east coast of the United States, over 2,000 miles of wilderness. It is hard for me to imagine such expansive amounts of woods that has not been run over with bulldozers and made into parking lots. It amazes me that so much of this trail is largely wilderness, it seems like a safehaven for the ever-shrinking habitat for creatures. It is refreshing to see such a well-protected and respected portion of land dedicated to the pure simplicity of life. This trail spans from the Northern tip of Georgia all the way through Maine and attracts thru-hikers from all over the world. My interest in the wilderness, wildlife, and trails was not prompted by this class alone. I have always admired those who could live out in the elements without all of the materialistic items we seem to need to survive on a daily basis. It brings me back to elementary school when I first imagined such a thing. My imagination ran wild when my chorus group sang "Rocky Mountain High". Upon hearing such an inspiring story, I contemplate how easy it is to be caught up in everyday life without really living. I hope to one day be able to complete a portion of this trail and have my own experience to add to this research paper.
Gianandrea Heyer ; Quarrel about saving natural resources
Gianandrea Heyer :Public transportation in the US
Gianandrea Heyer :Public transportation in the US
Gianandrea Heyer : Hermit life
Kyle Shipe; Lane's Three Approaches
Kyle Shipe: Lane's Axioms
Kyle Shipe: Class Overview
CNU's traditions by Diana Cox

Has anyone noticed the amount of traditions Christopher Newport University has? How many of us everyday do some sort of ritual or tradition and not really pay any attention to what we are doing. There is the circle made of bricks on the ground near the Commons, and it is said that if you step in the middle you will not graduate in four years. For all those CNU students just watch people, they will walk around or step over the circle to avoid it. The circle holds us back for walking on it as though fear drives us away. Not only do we have rituals CNU annually celebrates many traditions. There have been annual scholarship receptions that are slowly turning into traditions. Recently, freshmen have been invited to President’s house for desserts. This will probably turn into a tradition. These events will one day turn into traditions, but we have events that are traditions. Traditionally, the CNU theater program puts on a major play in the fall semester and a musical in the spring. In addition to academic programs, Christopher Newport celebrates the holidays. The dining halls also decorate for each holiday, which has become a tradition. There is always a themed dinner in the dinning halls for each holiday from Halloween to Christmas. At CNU we also have a tree lighting ceremony every winter, to celebrate the holidays that are soon to come. These few events just barely skim the surface of all the traditions that happen at Christopher Newport University. For the CNU students reading this, look around you and see how traditions you can find.
Writing a Ten Page Paper by Diana Cox
Light and scared sites by Diana Cox Based on Barbara Weightman’s Sacred landscapes and the Phenomenon of Light

Light is a vital part of daily life. The sun rises and sets daily giving the earth a blast of sunlight, which is essential for light. Though light is a powerful element that is necessary for all life, it as also a part of sacred sites. Light is a fundamental part of religious experiences, it has the ability to evoke responses and representations among particular belief systems. According to Barbara Weightman, there are at least four ways in which light is integral to a sacred landscape. The first one is the sun or another celestial body, which gives heat and nutrition for the world below it. The next being fire, which is man’s creation. We use it for light, heat, and cooking purposes. Though when it relates to landscapes, it can destroy everything in its path. The next way is which light is integral part of a sacred landscape is light rays. Light rays especially from the sun pass heat. Though have you ever seen light rays from the sun in the sky, it looks almost angelic; as though God is sending a little aspect of his power and grace to the world. The last aspect is color. Color is an affirmation of light and reveals and defines relative purity. Each of these aspects has a different effect on how a local geography is perceived.
Light by Diana Cox based on Barbara Weightman’s Sacred landscapes and the Phenomenon of Light

Believe it or not, light is a fundamental part of a religious experience. Light is connected to several aspects of religions because of its symbolism. Light represents a part of life, a change or a spiritual happening. From the very beginning light has been a part of the creation of the earth. God first made the heavens and earth, but it was empty and darkness swept over the surface. God chose to create light and separated it from darkness. Throughout the Bible, aspects of light are mentioned. When Jesus was born, wise men followed a star; it was the light that shown them the way. Another example is when Moses encountered the burning bush; fire is a type of light. The light in these examples grabs the people’s attention and draws them in. Light allows people to focus on the essence parts of life. Moreover, the examples represent aspects of how light is a powerful element, especially in biblical situations. Light not only is represented through religious texts but it also connects to sacred sites. When sacred sites are made it is as though an inner light outweighs the outer darkness. Light through its presence or absence, allows sites to be set apart from the profane. It allows life to focus and to have a purpose. Light is essence part of life through its abilities and power over the darkness, and it is a fundamental part of religions and sacred sites.
Sunday, November 29, 2009
Chris Yencha, Free Topic 1
The writer of the article uses a general equilibrium model (not unlike supply and demand) to emulate the theoretic stabilizing properties that he hypothesizes exists between the economy and the climate, both sides of which are assumed intrinsically stable. Essentially, the economic system is described as the output of the manufacturing sector increases, temperatures rise which will decrease the productivity of the agricultural sector, pulling resources away from the manufacturing sector and stabilizing the economy. The climate system that is contrasted with the economic system is simply demonstrated to be naturally self-stabilizing; however, the two systems, when combined, work against each other. This equilibrium is suggested to exist only as long as the Earth may dispel heat energy at a sufficient rate. The author then concludes that as the Earth becomes less capable of shedding this heat, competitive equilibrium will limit the ability for the environment to stabilize.
I don't personally agree with a few premises that the author suggests in his argument but the logic itself is solid and the essay is well written. I'll also be real honest and put it out there that I don't feel as if mankind is having a significant impact on the stability of the environment, in spite of the arguments made in the essay among others, but I am a reasonable person and am open to the opinions of those especially concerned over the state of the environment. Hopefully I will not be proven wrong in my current stance in the future :P. I do, however, feel that taking care to making sound environmental decisions is a pretty easy thing to do and it's a shame more people won't actively recycle and whatnot considering how effortlessly they may do so. Even though I'm not completely convinced of the evidence of impending disastrous global warming among other environmental concerns, there are so many things which could be done fairly simply to help preserve our world for the centuries to proceed us.
Gianandrea Heyer: OIL resources drying up
Gianandrea Heyer :What can we do to stop global warming?
Lindsay Conrad and the art of building
The building in a more spiritual sense is the building that i will be observing, critiquing and constructing. I will be working in the perspective of redemption in a way that will save the struggling churches and develop the community that may be missing. I will seek the cornerstone of faith that so many of the church members and the church itself leans on and will find ways for them to connect with the "other" that van der Leeuw seeks in various forms of art.
Lindsay Conrad - liturgical dance

Growing up, I was a part of a liturgical dance team in my church, and eventually got into the leadership position for the team. The dances we created we re intended as a form of prayer to lift up during the worship services, and my team very carefully chose movements that would glorify and honor God.
van der Leeuw sees dance from the perspective of creation. He says that dance is done out of an almost celebratory act because one freed, which would tie into the idea of redemption that encompasses some of the other arts that van der Leeuw talks about.
The rhythm involved in a unified movement in dance creates a talent aspect that Christians are caled to share with their church as a part of the body of Christ. The rhythm in liturgical dance is not as important as the meaning placed in each movement. We made many moves the act of an elaborate sign language which involved more of a dance movement but was also a clear conversation between the dancer and God. The goal of each dance was to make the prayer clear, and the meaning behind it. A successful dance ended in satisfied dancers and a tear-filled audience.

Pilgrimage relates to the liminal phase attributes in passage rites. Pilgrimages allow people to get allow from the mundane ways of life and experience a new way of looking at life. Usually pilgrimages involve traveling across the world to certain religious site. They enable people to have an experience of healing and renewal process. Being able to get away from thing allows you to be thankful for the things you have and the ability to be stress free. For some a pilgrimage is a reflection of religious values and beliefs. Many people travel to places like Jerusalem or Mecca. These sites represent a place of holiness for several religions. Pilgrimages allow people to follow the footsteps of past prophets and religious leaders on sacred grounds. People can feel like they have truly experienced something from the past and bring their experiences of the pilgrimage to the present day.
Sicily by Diana Cox
I am looking forward to seeing, smelling, tasting, feeling, everything about Sicily. Before I have the opportunity to experience Sicily, I choice to read and study about Sicily. For my history class, I read an informational book about the past cultures and conquerors of the island. It listed every group pf people who ever influenced the progress of Sicily. The book I read was very factual and informational. The book was extremely boring and uninteresting. If you are traveling anywhere especially across seas I advise not reading a historical book about the place. Doing background information is a good idea, but just look up pictures and tourists sites in books or on the internet.
When I get to Sicily I hope to use all the concepts I have learned in my classical studies classes and my ULLC class. I will be visiting several archeological and sacred sites. When I visit these places I will have the knowledge and experience to be able to participant in the site. In addition, I will be able to analysis and hopefully share my knowledge with the rest of the group going.
Saturday, November 28, 2009
Daniel Mejia dont compare yourself to others.
Daniel Mejia Communitas vs. Community
Daniel Mejia Communitas in pilgrimage to Mecca
Friday, November 27, 2009
Fall at CNU - Nina Salzberg
Lately I've been noticing the trees around CNU campus. It's fall so the leaves are changing from green to yellow/red/orange. Its beautiful. I took a walk around campus a couple weeks ago. By myself just wondering around taking notice at the little things. Some trees had bright orange leaves that reflected the sunlight. Which made them seem probably brighter and more orange then they were. Leaves were all over the ground at some points and the sound of the crunching under my feet made me happy. Fall is here, which means winter is on its way. My favorite season. A sea of warm colors is what i saw when I looked at the tree tops. A beautiful masterpiece of nature.
Communitas - Nina Salzberg
Pilgrimage as Liminoid Phenomenon - Nina Salzberg
The Ontological Approach - Nina Salzberg
Storied Place - Nina Salzberg
Lane's 4 axioms - Nina Salzberg
Monday, November 23, 2009
Chelsea Huber - Flow
Flow is a holistic sensation, meaning that it effects everything. Flow requires total involvement because each action follows another action and this chain cannot be interrupted. This flow cannot be a conscience effort, there must be a automatic and natural effort put forth. When I think of flow, I think of softball. I have played softball since I was six years old, and I still play for intramurals. When I was little, my coach would tell me a million little things that I needed to do to improve my throwing and my batting. I would try to remember each little thing that I needed to do when I got up to the plate, and I would suck. When I concentrated really hard on my throws, they would be terrible. It wasn't until years later that I realized that I needed to just feel the swing or throw, I couldn't force it. Concentrating on all of the little things detracted from the overall success. This is true for sarced place as well. When you find yourself experiancing sarcred place, it is not all of the tiny little things that are important. Rather, the general feel and flow of the place generates the experiance of the sacred. The flow of the world is the magical factor that binds all of the little things up into one smooth and perfect transaction.
Chelsea Huber - Noland Trail 2
As our class walked on the Noland Trail I felt silly and awkward. However, any other time that I walk on the trial or am in nature I feel peaceful and happy. I decided that I do not like to share introspective moments with other people. I could not find a mental place of calmness because I was on guard and feeling judged.
The trail usually has a handful of people on it, but they are usually older and that makes me feel safer. Older people or exercising people are part of a communitas on the trail. You can interact with them in a manner that has no relation to who they are outside of the trail. A jogging couple will say hi to you regardless of your youth and financial situation.
I find myself appreciating people more when I see them amongst the honesty of nature. Everyone seems more worthwhile and happier. This difference in my view of humanity is interesting. At school I get so stressed and frustrated with people, but if I go out to the trail and even see someone with whom I have an issue, I will feel positively towards them. Nature is so soothing. As is being alone.
Everyone needs alone time and time to recharge. All of the trees and plants have such a great combined power. I believe that they transfer their energy to human beings. This is why nature refreshes us. This is why nature should never be destroyed.
Sunday, November 22, 2009
Chris Yencha, Image and Pilgrimage in Christian Culture 1
I present to you The Swim by Liminals. [Friendly Noise]
Liminals is a new Swedish techno-pop duo made up of Anna-Karin Brus and Tomas Bodén. The group released an EP about a week ago which included this The Swim. The EP, Hearthand, may be one of the greatest contributions to Italo-disco this year.
To stay relative to the topic, I was reading an interview between the duo and Friendly Noise Magazine concerning the band's decision to split apart from Differnet to produce more disco-oriented techno, the emerging new mediums of music distribution and the effect that they are projected to have on the business for Liminals, and hypnotic, minimalist composition within the genre to name a few; however, the most important part of this interview in relation to this blog is when the interviewer asks how Liminals decided upon their name.
Och namnet Liminals? Jag sökte pÃ¥ ordet och fick ett antal träffar som handlar om ”liminal beings” inom mytologin.
Både människa och djur (hybrid), både människa och ande, både levande och död (spöke), både människa och grönsak (The Green Man), både människa och maskin, både människa och alien (Spock i Star Trek). Någon gränslandsvarelse som ni känner lite extra för?
Tomas Bodén: Människa och maskin passar nog oss. Vi ser oss gärna som någonting mitt emellan, i ett gränsland. Sång och röstljud kan samplas och förvrängas så att det inte går att känna igen, bli ett instrument bland andra. Slutresultatet blir någonting organiskt. Någonting mitt emellan akustiskt och digitalt.
Anna-Karin Brus: Fast det där med blandningen mellan människa och grönsak är ju extremt roligt.
The interviewer (Mattias Jonsson) essentially asks where the name, Liminals, came from and then suggests a few strange examples of liminal beings from throughout pop-culture (Spock- human and alien and, the funniest, The Green Man- human and vegetable.) Tomas replies that human-machine fits the band's character most appropriately. He then goes on to explain that he sees the duo as something in between, in a borderland. The type of sound that the band strives for is somewhere in between organic and digital in the way that they distort sampled sound and voice to a degree which is unrecognizable, but still wholesome and vividly conscious of life.
The video itself seems to represent liminality, as suggested by Victor and Matthew Turner, authors of Image and Pilgrimage in Christian Culture, through a number of different means. The silhouettes of men practicing yoga seem to be frequently interrupted from achieving a state of complete absorption in their art by the constantly pulsing music and flashing of distracting scenes of falling water, amongst other motifs. The falling water is an especially interesting symbol as it represents a liminal state in which the water is within the process of falling and is never at rest.
Eventually, visualizations of the men practicing yoga die down and are predominantly replaced by a swimmer stretching in preparation for a swim. The last scene of men practicing yoga before the chill-out at 3:37 shows one man making arm movements in his practice which resembles swimming. The chill-out focuses almost solely on the swimmer and images of violently moving water. After the chill-out, the man practicing yoga seems to disengage from his liminal state as he becomes too distracted. The last scenes of him show the man blocking his ears from some sort of audible distraction in a last-ditch effort to remain in his meditative state but fails. The rest of the video focuses almost solely on the swimmer and how his meditation has kept him within the liminal state that he has been maintaining since the beginning. His state is compared to the previous success of the men practicing yoga just before he begins to focus solely on the water during the resolution.
Saturday, November 21, 2009
Chris Yencha, Outside Reading 2
Admission into a club costs many strings of shells while promotion within the club costs many times more. The most fascinating aspect of these strings of shells from the point of view of historical interest rates is that coercive debting was a common practice within the islands. Essentially, a wealthy man with many strings of shells could force another man under law to accept a loan of shells. Loans were always for a 12 month period with a 100% annual interest rate. If a man could not pay off the debt that he was forced into, he was often put to death.
Retributive gifting, as I'll refer to it for the remainder of the entry, is an example of how this ancient concept is still in existence. In ancient Rome, for existence, rulers would often give gifts to citizens. It was custom to return the gesture of giving a gift by giving a gift in return of even greater value. Thus, rulers who gave gifts often made a profit when they received gifts back.
As strange as retributive gifting may sound, it happens all the time today. Birthdays gifts are a solid example of this concept in action today.
Friday, November 20, 2009
Mt. Renier

In class, we've been talking about Mt. Rainier a lot. I don't know much about it, but it fascinates me. To me, there's nothing more beautiful then nature. Since this isn't a city with mountains surrounding it, then to see one, even though a picture, is amazing. I used to love going up to Massanutten with my Dad to go skiing because I love the mountains. Even though those don't compare at all to Rainier. I can't even imagine being in the presence of a mountain like Rainier. Also, to know its history and how destructive it is, is quite nerve racking. I would love to go visit it one day. Not necessarily climb it, but just look at it. Maybe walk around it and take in its beauty. But hiking part of it would be interesting. Knowing that a glacier could start coming down the mountain at any moment is what makes the experience. The risk is the experience.
Mask of the Holy by Diana Cox
Our class also discussed several biblical references of the mask of the holy. One example was Moses meeting with God on top of the mountain. Moses had to hide himself from God. No one can directly look at God, because of his holiest and our sinful nature. Another example offered in class, was the sacred object to Christianity the Ark of the Covenant. On the top of this ark is a little spot, called the seat of mercy. Once a year the priests enter the temple into a little room called the holies of holies. The priests then pour blood on the seat of mercy for the atonement of sins of the nation. This object is also a mask of the holy and represents God’s glory and grace. The class discussion of the mask of holy, brought about several examples that helped be understand exactly what a mask is related to religious studies. Now my peers and I will be able to realize masks of holy in our different religions and in future classes.
Flow by Diana Cox
Thursday, November 19, 2009
Chelsea Huber - Lane's Axioms
The first axiom is the idea that sacred place is not chosen, it chooses you. This idea makes me think of times when I am camping and suddenly I realize that the atmosphere of my pattern of thinking has changed. When this feeling strikes me, I can see the environment around me in a new light. The nature around me has become part of my new state of mind, even though I never planned it to be.
The second axiom dictates that sacred place is ordinary place ritually made extraordinary. When I consider places that have great importance to me, spiritually, I think of sporting fields. These fields carry importance to me because of the ritual of joyous family and friends coming together at these places to cheer and love life. This feeling resides within the stadiums and it can still be felt when the game is over.
The third axiom states that sacred place can be tread upon without being entered. This axiom makes me think of how ridiculous it is that people fight over religion. Every space is interpreted differently for each and every person. What is special to one person, may be meaningless for a different person. This is just fact, so why have huge wars and massive casualties trying to convince other people that your 'space' is better and more important than theirs.
The fourth axiom speaks of the character of sacred place being both centripetal and centrifugal, local and universal. I see this axiom as the explanation for the feeling that a scared place gives us. We feel this huge connection to the world and everything in it. At the same time, we feel so important and full of life.
Noland Trail Dwain Harrison
Wednesday, November 18, 2009
Chelsea Huber - Liminal Action
Turner describes pilgrimage as a liminal action, somewhere in between from where one came and to where one is going. This idea of liminal action refers to a temporary state of existence. It is a “threshold” to walk through. This stage in the thought process is a time for the comparison of internal discoveries with the greater picture of the universe.
I used to feel liminal while driving down to CNU from Reston. The drive was so long and all I thought about was what I was going to do the moment I arrived. I also thought about all the things I was leaving; family, home, pets. Now I try to live in the moment and focus on the events and feelings of the trip its self. This gives the trip more importance and I enjoy it more.
While liminal experiences are essential for growth and learning, it is stressful to never have a solid ground on which to stand. That's why the early teenage years are so straining, because the person is in between two different life stages.
Difference between Community and Communitias by Diana Cox
Although, all of this information is covered with the Turners’ book; it was easier to understand during our class’s discussion. As a class we reviewed these terms and broke them down into smaller concepts to understand all the aspects of communitias and communities. It is not just about understanding the basic concepts; it is about comprehending and applying these two concepts later in life or if nothing else in our papers. As result of reading the Turners’ Image and Pilgrimage in Christian Culture and having a class discussion I understand these concepts and how they apply to our life. The information above will help explain these terms in such a way that anyone from scholars and students to blog readers will understand them.
Lane’s three approaches by Diana Cox
The second approach Lane describes is the cultural approach. In this approach the sacred site is inherently posses a power drawn from which or beyond themselves. It is usually defined as a site over which conflicting parties fight or even die. However, this approach does not recognize the place itself as a participant in the formation of that experience. The last approach is the phenomenological approach, which is a way to give voice to the participant in the process of experiencing a sacred place. It is to be fully present at any locale and to recognize the reciprocity involved in touching and be touched by particular objects of nature such as plants, rocks, and geographical features.
These three approaches are ways to experience and understand a sacred place. Lane presents these approaches in such way that readers understand the concept based on his explanation and his usage of examples that bring the approaches to life. For further explanation of Lane’s approaches, our class had a discussion on each approach and how it directly deals with Lane’s axioms. These concepts are helpful for students to understand and comprehend different aspects of sacred places in our world.
Lindsay Conrad: Tree of Life, Art Ritual, and Religion.

The Tree of Life at Disney World's Animal Kingdom is a statement of art connecting all people, animals, and nature with the divine. The tree itself is constructed of that which is unnatural, so it fits the definition of van der Leeuw's architecture, but it is also a piece that brings attention to the nature surrounding an otherwise urbanized setting, so Olmstead would appreciate the beauty and design of the creation.
In religious terms, the Tree of Life connects with St. Francis of Assisi. He was a saint in the Catholic church who was a friend to all animals and in tunr was kind to nature. the ability to unite with the nature and animals is a peace and a sense ot redemption that van der Leeuw seeks in his art.
Inside the Tree of Life is a show about different animals, mostly bugs, who are working and living in the world. Ther bees are creating honey, and during the show the seats int he audience are jiggled by the bees (sensation of being stung). This goes along iwth the ritual dancing of the bees as a necessity in order to survive. Overall, the Tree of Life is an interesting concept t hat seems to embody quite a few of the things we had talked about in class, so it was worthy of a little blogging!
Tuesday, November 17, 2009
Chelsea Huber - The Giver
Yes, the novel by Lois Lowry, The Giver, is an easy read. However, I maintain that this story as well as Lowry's Gathering Blue are highly thought provoking. In The Giver , Jonas comes from a world of sameness and no concept of sacredness, or even love. He is chosen to learn of the ancient people (us) who lived in a world of diversity. He learns through experiencing events through the transfer of memories. I am interested in the profound effect that scenery had on Jonas. He had never known 'weather' or 'hills'. Even 'color' and 'animals' were new to him. The book perfectly captures how amazing these things are that we take for granted. Color is truly amazing. There is nothing else like it, perhaps music, in a way. Our sacred places of today's world tend to be special in appearance. These places can often amaze us, like the view from atop a massive mountain. Jonas experiences this feeling of sacred place on every level, like we never could. In Gathering Blue, Kira must travel a difficult path to discover how to make the dye 'blue'. This shows the human need for beauty and how it connects to our extraordinary experiences in the sacred places in our lives.
Gianandrea Heyer: Visit to the "Rhone Glacier"

I went this summer to the Rhone Glacier, in the middle of the Swiss Alps with my uncle, who is an alpine expert. It is about 1 hour of car away from my home town, Lugano. The road to go up is rough. The Glacier is at around 2200 meters of height and about 20 KM2 ( around 5000 acres), and is named after the big river Rhone, that crosses half Europe. We arrived there in this sunny June day, and could notice how it retired over time.There are pictures and milestones that show how it has been shrinking over time. Since 1850 it became 1.3 Km ( 0.8 miles) smaller. It is impressive to assist at that in person. I felt so bad. It feels like a man without a leg. I stood ther for a while, thinking about how that could happen. Then we went up and went into a tunnel inside the glacier. It is something very exciting, because you feel like you are in the heart of the glacier. As soon as you walk in, you can hear the glacier cracking from the sun. The tunnel is about 100 meters long. Once we came out, we climbed over the glacier, had some good feelings of being in touch with the nature, ate there. It was a strange feeling because we were enjoying the moment, but at the same time, we knew that in 10 years, the glacier will be even smaller, and would probably disappear by the end of the century.
Nate Morris - Natural Setting (1)
Monday, November 16, 2009
Chelsea Huber - Noland Trail 1
Being away from home and solitude makes me appreciate the Noland trail in many ways. “People are drawn to nature in direct proportion to their sense of separation from it” (Lane, 220).
The Noland trail speaks to me in ways that no human being ever could. There is no judging on the trail, only new insights to be gained.
One of my favorite things on the Noland trail is the wildlife. Being away from home and my pets really makes me miss the energy and attention that can only be given by animals. There are certainly no fuzzy house cats on the trail but people are often walking their dogs and happily accept my requests of snuggling. The turtles in the lakes also brighten my day. I love looking at their prehistoric bodies and contemplating how long they have been on this earth. Many of the turtles have acquired an interest in human beings on the bridges, perhaps from being fed so often. I wonder what the turtles see and think when they approach my position on the bridge. Do they know I am another living being who eats and sleeps like they do?
Chelsea Huber - Lane's Three Approaches
Lane has three approaches for understanding the medicine wheel as sacred.
The first approach is called ontological. This approach looks at time and place throughout the history of a culture. This could be the stories that grandmas tell their children and their children's children. Or, the pictures of great geographical places that have been drawn on the inside of cave walls. No matter how the message is carried down, it builds up power and influence.
The second approach is the cultural approach. This approach claims that a sacred place is somewhere "people are willing to fight and even die [for]" (Lane 43). This is most clearly viewed in the situation of Israel, where people have been willing to die for the land for centuries. This extreme value shows that the culture is putting a lot of emphasis on the sacredness of the land.
The third approach is called the phenomenological approach. This view places the emphasis not on the history of the culture of a place, but rather the topographical and geographical importance of the land. This approach is most interested in how the place its self is sacred, unrelated to the happenings or ideas of humans. I feel as though it is difficult to separate the notion of humans interacting with place and sacredness.
Kelly Hayes, Natural Setting 2

Sunday, November 15, 2009
Chelsea Huber - Storm Sticks
After the great storm of last week, I took a walk outside to check out the effects of all that rain and wind. Yards were completely flooded, and abandoned bicycles lay in these new two feet deep lakes. Sticks and fallen branches littered the lawns of Newport News homeowners. My friend and I took delight at this easy access to new flammable fodder for our fire pit in his yard. As we walked, we picked up more and more branches in our arms and carried them along the road towards his house. Oh what a warm fire we will have once the branches dry out!
The road was papered in leaves from a variety of trees; maples, oaks, poplars, and heart-shaped red bud leaves. They are beautiful, before everyone steps on them, turning the path into a slimy mess. I kept slipping on the multi-colored leaf residue that began to simply look brown.
I wondered how the construction workers on campus feel about such stormy weather. Do they sit in their homes dreading the sight of all their hard work destroyed in a wet pile? I hope nothing got ruined. I especially hope that no mold got into the walls of our new buildings.
Chris Yencha- Natural Setting 1
Every other time I walk to accounting class for the remainder of the semester, I probably will not have to shield my eyes from a horizontal downpour (I thought this was a pretty humerous way to describe the rain when I was fighting against it on Thursday) or brace myself against heavy wind; however, I hope I don't get caught off guard one day by taking for granted the force of powers which are beyond my ability to resist.
Friday, November 13, 2009
Kelly Hayes, Natural Setting 1

Upon our visit to the Noland Trail, it reminded me of the place I often retreat to for peace and quiet. Although the Noland trail was absolutely gorgeous, it is a little crowded with people who share my need for quiet time. A little further down Jefferson is the Newport News Par with contains a 3.2 mile trail, beginning with a half-mile long bridge across the Newport News resevoir. For 2 months I ran this trail daily, allowing it to be my escape as well as my punishment. The run is grueling, up and down hills with roots sticking up everywhere, more than once I have hurt myself here. But I continue to go back because I cannot get away from the complete isolation and the feeling of immersing myself in the wild. I often began by observing the turtles swimming in the underwater vegetation and the ducks splashing near the shore. The deer, sometimes up to 15 of them, come right up to the trail and beckon you to pass. A snake once curled up in the middle of the trail, causing me to come to a complete hault. There I am vulnerable. I have no phone, no water, no obvious connection to help for miles. It is here I can be myself. Here, I am able to run, think, regroup and regain my strength for the next day. It is places like this that you personally hold sacred. This is my sacred landscape.
Wednesday, November 11, 2009
Lane's axioms applied to time: Katrina Thralls
Flow: Nina Salzberg
When we learned about the concept of flow, I automatically knew what it meant. I may not understand it as a religious experience, but I experience it in a different way. I've been an artist since as long as I can remember. In my high school years till now, I've become more in depth with my work and take my time on it. Sometimes when I'm painting/drawing/sculpting, or whatever else, I experience flow. To me, when I'm making artwork, flow comes to me when I least expect it. I'll be stuck on an idea and won't know where to go from that point, then all the sudden flow takes over. I get in a state of mind where I loose track of time and don't really know the outcome. It's kind of like someone/something takes over me and knows what to do. For hours I can sit at my desk and draw and not even realize what I'm doing. I know I'm drawing, and I know the general concept I want to make, but my mind takes over my body. My imagination takes over my hands and tells me what to draw. Once I'm done or out of the flow state, I realize I've been in the flow state. Because I step back and look at my artwork and think "I did this? What?"
Tuesday, November 10, 2009
Nolan Trail: Part 2 by: Diana Cox


The trail is a pathway that winds around a majestic lake. This pathway teaches and influences so many to appreciate the beauty of nature. As a student I noticed the wonders of nature and the influence it has on all who pass. The gorgeous amount of colors and beauty influenced me personally to appreciate the nature around Christopher Newport University’s campus. There are so many who work hard to create the wonders of nature on the very campus I live on. I appreciate all that they do; in fact I have taken many pictures of the CNU campus because of the amount of natural beauty. These pictures illustrate the different seasons and the nature that influence the campus yearly. The spring and summer bring the newest of life around campus with blooming of flowers and plants. The fall brings out the richest of colors that brighten the day. The winter is dark and dreary but the white snow brings an atmosphere of peace and natural beauty. The pictures are only a small view point of what God’s creation can look like in our own lives. Take a moment and look around at what God has created around you.
Sunday, November 8, 2009
The Nolan Trail: Diana Cox
Chris Yencha, Landscapes of the Sacred 1
I finally made it to the bridge and was a little frustrated to discover that I was about thirty minutes early. I already was not enjoying the point of this class period and it had not even begun yet. I approached the water near a large tree by the bridge and took a seat. For some reason, I felt compelled to climb up the tree. The next 30 minutes up in that tree looking out over the water, watching the awkward ducks swimming around and feeling the cool breeze of the afternoon was one of the most relaxing periods that I had experienced in weeks.
Sacred Place is not chosen, it chooses. Once class began, I felt much more naturally emerged in the trail. I had been trying too hard to gain something from the experience of walking along the trail until the tree allowed me to relax and appreciate the journey. I had a great afternoon and was not even late for my meeting!
Saturday, November 7, 2009
PostSecret: Confessions on Life, Death, and God - Lindsay Conrad

I have to admit that I am a HUGE fan of the PostSecret movement by Frank Warren. Don't know what it is? A few years ago, this dude named Frank started a postcard sending process where people write their secrets and send them to him. From that he has made a website and has recently published a book called Confessions on Life, Death, and God. More info? Visit www.postsecret.com.
Anyways, his latest book fits pretty well with the class. The secrets people have sent in are very much in line with religion and art. The secrets range from no belief in God to such a strong belief it is often handicapping. Each postcard is specifically designed for a purpose, and some of the postcards contain specially written prayers. Many are seeking redemption, which easily fits in with van der Leeuw's concept of image and how we approach creations of religio
us art from redemption. MAny people who create the beautiful and intricate cards are seeking a connection with the other that is often mentioned and are in hopes of something bigger than themselves. I wonder how many of the pepole realize that their plea to God is indeed a piece of artwork that is valued, connected with, and a true expression of faith or no faith.